Conventions -

• sounds of waves hitting the water - sense of realism. 
• old man shot - its like a horror film where we are looking to the side of him 
• wooden stick in the water - we know what happens even though we don't see the shark eat the dog. - then we see the sharks pov
• music of the shark - conventional - reminds me of super hero films or the film physco 
• editing - conventional because i think there is nothing i didn't expect. 

format - 

• feature film - single camera 

narrative structure 

• lots of tension with shark 
• i think the film isn't dragged out but it doesn't happen too soon. 
• I feel it happened in good time

mise en scene - 

• costume - every on the beach is wearing yellow, the barrels are yellow. everything seems to be yellow when something bad happens. This shows yellow is the colour of danger in jaws.
• natural lighting, either lighting made to look realistic, not too sure

SAVING PRIVATE RYAN 

• opening shot - as he gets closer, the aucestric music gets louder. 
• as the starts to cry, the sound of the waves begin. he starts to remember making him cry more making the waves get louder. then it cuts to the beach scene. 

QUANTUM OF SOLACE OPENING SCENE -

• music gets louder 
• reaches a high note, then cuts to a roaring engine of the aston martin, builds lots of tension 
• cuts shot every second, extremely quick making it exciting for he audience
• the sound would of been recorded after. 
• the car is made to look majestic 

BOTH FILMS

• all sound would of been filmed separately 

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